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Tomorrow Never Dies. Collector Card, signed by actor Jonathan Pryce.
2002. Colour-printed 'Limited Edition Autograph Card' showing Pryce in character as Bond villain 'Elliot Carver' in the 1997 UA film. Boldly SIGNED in blue ink. In a simple blue card mount with matt black frame. The mount is window-cut and glazed to both sides, displaying both the front and back... More
'James Bond Alias Ian Fleming' by John Pearson contained within 'Life' magazine, Vol 61, Nos. 15-16, October 7 and 14, 1966.
Time Inc., Chicago [1966]. 2 issues, price 35c per issue. Magazine format, illustrated, with fold-out poster covers. Address labels to upper (removed from second magazine). Near fine, sith some acceptable wear to spine of second magazine. Contains the first appearance of the opening chapters of Pearson's 'Life of Ian Fleming'... More
Inscribed Photograph of actor Roger Moore as Ian Fleming's James Bond 007.
no date [circa 1977]. Black and white publicity still, 10 x 8'', classic three-quarters pose by Moore as Bond with shoulder holster pointing Walther to camera. Near fine. Still taken from (or publicity for) the film The Spy Who Loved Me', INSCRIBED to left hand side; "To Rodney (Pincott)| All... More
'Yes and No'. A critical essay on the morality of Ian Fleming's novels, contained within 'Now & Then' magazine, Number 102, Autumn 1958.
Jonathan Cape, 30 Bedford Square, London. [1958]. pp.24. Price sixpence.. Magazine format, illustrated. Fine. Publisher Jonathan Cape's literary magazine for the publishing industry, booksellers and the public alike. Contains an editorial piece to p.6-7 on the controversy surrounding Fleming's Bond novels, recently heightened by some scornful articles concerning the ethical... More
[FLEMING, Ian] PORTRAIT OF IAN FLEMING BY AMHERST VILLIERS.
no place, no date [printed 2012]. A limited edition giclée print of the only formal portrait of Ian Fleming, painted in 1962 by Charles Amherst Villiers. The painting was then used as a frontispiece to the signed limited edition On Her Majesty's Secret Service, published by Jonathan Cape in 1963... More
James Bond. The Paradise Plot. Original Comic Strip artwork, signed by the Illustrator.
Copyright, Glidrose 1981-2. A three-strip panel, being board number 256 drawn in pen and ink on artboard, with pasteover sections of text. Twice SIGNED by John McLusky, firstlly beneath central illustration and again, to revese side, together with adoodled '007' motif, below his 6-linehand-written description. In a simple matt black... More
Nature Cure Explained.
London: Health for All Publishing Co., [1950]. FIRST EDITION. Pp.[1-8] 9-185, [3]. Publisher's red cloth, spine lettered in with black. Pages toned, jacket with a few small nicks and tears; a most presentable copy. Very good overall. An important 'James Bond' source book (and an elusive book in jacket in... More
Post. The Saturday Evening Post.
Philadelphia: C.L.MacNelly, 1963. Includes 'The Spectacular Cult of Ian Fleming' by Geoffrey Bocca. Issue of 22nd June 1963. Magazine format illustrated throughout, in colour covers. Some soiling, covers rubbed with a few tears, subscription label to upper cover, some sunning. Very good. An interesting profile of the author published during... More