London: Queen Anne Press, 2012. ILAB-Breslauer Prize Winner [2014]. FIRST EDITION, DELUXE LIMITED ISSUE No.103 of 250 copies, SIGNED by the author in blue ink to limitation page at rear. Royal quarto (33 x 24cm), pp.x; 692 [2]. With black and white illustrations throughout plus four suites of eight colour..... More

London: Jonathan Cape, 1966. [Cold War thriller] FIRST EDITION. Octavo (19 x 13cm), pp.312. Publisher's hardback cloth in a metallic-effect pictorial dust-wrapper designed by Raymond Hawkey priced at 21s. A near fine copy of the book, in a near fine jacket with a few inevitable small marks to the thin..... More

New York, NY: Pocket Books, 1966. [James Bond pastiche] FIRST EDITION. Octavo (22 x 14cm), pp.128. Publisher's colour softcovers with original price $1.00. A near fine copy. 'Hebrew Secret agent Oy-Oy-7 strikes again'. More

London: Panther Books, 1965. [Reference/ Literary criticism] FIRST PAPERBACK EDITION. Pp.192. Publisher's illustrated softcovers priced at 3/6. Cheap paper stock browned as usual, some handling, joints rubbed. A very good copy. A former book illustrator and intelligence operative in Russia, Oswald Frederick [Fred] Snelling was a highly-regarded member of the..... More

London: Adrian Harrington Ltd, 2013. ISBN: 978-0-9576041-0-0. Published April 2013. Numbered hardcover edition, limited to 100 copies. Quarto (35 x 22cm), p.80. With eight colour plate sections and numerous black and white illustrations within the text. Bound in publisher's dark green cloth, lettered to the spine and covers in gilt..... More

Royal Tunbridge Wells: Adrian Harrington Ltd., 2020. [Literary and film Reference] 'SILVER' edition, SIGNED by the author. Quarto (30 x 22cm), pp.292, printed on Munken Lynx paper. Illustrated throughout in black and white, with a colour frontispiece and 32 colour plates. Bound in full graphite buckram, blocked in two-colour metallic..... More

London: The Reprint Society, World Books, 1956. [Spy novel] FIRST UK BOOK CLUB EDITION. Octavo (19 x 13cm), pp.247; [1] blank. Publisher's black cloth lettered in gilt to red leather title label, pictorial dust-wrapper. A very good, lightly used copy in similar jacket, toned to the spine panel. Shows well..... More

London: Jonathan Cape, 1968. [Spy thriller] FIRST EDITION. Octavo (19 x 13cm), pp.255; [1], blank. Illustrated map endpapers. The rarer variant with a dropped quad mark to the date on the copyright page (rather in the same manner as 'The Spy Who Loved Me' variant - see Gilbert). Publisher's hardcovers..... More

London: Jonathan Cape, 1962. [Spy thriller] FIRST EDITION, State B. Crown Octavo (21 x 13cm), pp.221; [1]. Publisher's cloth-effect paper over boards with scarlet endpapers in pictorial dust-jacket illustrated by Richard Chopping, priced a 15s. Scarce VARIANT ISSUE with the dropped spacer within the author's name. From the bibliography, 'very..... More

London: Jonathan Cape and Hodder and Stoughton, 1983. [Spy novel] FIRST EDITION. Octavo (20 x 13cm), pp.250; [6], blank. Publisher's cloth in pictorial dust-jacket by Bill Botten, priced at £7.50. No inscriptions. Some rubbing and acceptable wear. A very good copy. John Gardner's third 007 novel as official successor to..... More

London: Hodder and Stoughton, 1997. [Spy novel] FIRST EDITION, SIGNED by the author. Royal octavo, pp.x; 257; [3], blank. Publisher's hardcover in original dust-wrapper. Absolutely fine throughout, being carefully dark stored by ourselves since publication. The first of author Raymond Benson's successful series of adventures featuring Ian Fleming's superspy James..... More

London: Jonathan Cape and Hodder and Stoughton, 1982. [Spy novel] FIRST EDITION. Octavo (20 x 13cm), pp.254; [1], afterword; [1], blank. Publisher's cloth in pictorial dust-jacket. With good, strong colour to the spine (often fades), a little rubbed to extremities. A lightly handled copy in near fine condition. An original..... More

Chicago, IL: Novel Books, 1965. [James Bond] FIRST EDITION. Octavo paperback (18 x 11cm), pp.128. Publisher's colour illustrated soft covers; all edges yellow. Gently toned. Very light wear to covers; an unusually well-preserved copy. Near fine. A little character-study of Ian Fleming by someone who claims to have been his..... More