London: Jonathan Cape, 1963. First Edition, First Impression, Binding A. Publisher's dark grey cloth-effect paper over boards with silver titles to spine, in original jacket priced at 16s. An attractive copy with noinscriptions or spotting, clean edges, neat bookplate to flyleaf, bright jacket panels, spine a little age-toned. Very good... More

London: Jonathan Cape, 1965. FIRST EDITION. Publisher's black cloth-effect paper over boards with gilt titles to spine in pictorial dustwrapper, based on the familiar 'trompe l'oeil' designs which decorated the Ian Fleming first editions. No inscriptions or price-clipping. Both book and jacket exhibit minor wear some toning to page edges... More

London: Jonathan Cape, 1962. FIRST EDITION, State A. Crown Octavo, pp. 221. In publisher's cloth-effect paper over boards with scarlet end-papers in the pictorial dust-jacket illustrated by Richard Chopping. Price-clipped, otherwise a particularly clean, bright copy. Near-fine. Gilbert A10a (1.1). More

London: Jonathan Cape, 1986. UNCORRECTED PROOF. Octavo, pp. 193. In red card wraps. Some neat annotation, otherwise fine. More

London: Jonathan Cape, 1984. UNCORRECTED PROOF. Octavo, pp. 222. In red card wraps. Fine. More

London: Jonathan Cape, 1982. UNCORRECTED PROOF. Octavo, pp. 255. In red card wraps. Some light rubbing to spine and a small mark to fore edge, otherwise fine. More

London: Penguin 007, 2008. 14 volumes; large octavo. All First Impressions thus. Bound in original silver-stamped black cloth in striking dustjackets with 'retro' style artwork by Michael Gillette. All volumes as new, housed in a custom-made cloth slip-case with fleece lining and ribbon pull. A particularly uncommon set in hardcover... More

London: Jonathan Cape. 1962. First Impression, scarce VARIANT ISSUE with the dropped spacer within the author's name. From the bibliography, 'very rarely the title page shows a quad mark between the E and M of Fleming'. As few as one in ten copies exist in this state within the first... More

London: Jonathan Cape, 1955. FIRST IMPRESSION, FIRST PRINTING, BINDING A (Fabroleen material). This version with 'shoot' correctly printed to page 10. Octavo, pp.256. Publisher's black cloth-effect paper over boards, titled in silver, in 'flame' design dust-wrapper by Kenneth Lewis. Both book and wrapper are lightly used, with some toning to... More

London: Jonathan Cape, 1956. FIRST EDITION, Octavo, Binding B, pp.257. Publisher's black cloth, titled in silver, in pictorial dustwrapper designed by Pat Marriott. Book is near fine, with one tiny mark to fore-edge. Jacket also near fine with a couple of tiny chips and faint marks. A lovely copy housed... More

London: Jonathan Cape, 1961. FIRST EDITION, First Issue, Binding A. Octavo, pp.254. Publisher's cloth-effect paper over boards with embossed skeleton hand design to upper board, gilt titles to spine. In original dust-wrapper illustrated by Richard Chopping. Internally clean, some dustiness to text block, jacket with one short tear at joint... More

London: Jonathan Cape, 2013. FIRST TRADE EDITION, SIGNED BY THE AUTHOR. Publisher's red screen-printed hardcovers in an embossed and die-cut dustjacket, featuring bullet-holes in the style of the original US printing of Ian Fleming's The Man With The Golden Gun (this adventure being set in 1969, a little after the... More

London: Harper Collins, 2002. FIRST EDITION, SIGNED BY THE AUTHOR. Octavo, pp.328, with two suites of eight photographic plates. Publisher's cloth in dust-wrapper. A very fine/as new copy, signed upon publication and since carefully dark stored by ourselves This autobiographical work concentrates on the 'Flashman' author's succesful role as a.... More